Category Archives: Learning Highlights

I thought I hated taking pics of people!- Learning Highlights

Am just about to start part three of Identity and Place. I really thought I was going to hate the whole unit, being that it deals mainly with self portraiture and portraiture. I don’t like and never have like photos of myself (and never take any) I also hate taking photos of other people. I don’t like asking, I feel like I’m intruding and also their expectations causes me to feel pressurised to create a photo that makes them look great. Im not very confident with strangers and often get  get very anxious if I know I ma going to have to approach people I don’t know. Well – big changes! Forcing myself to go out and ask people if I could take their picture was a huge eye opener. Admittedly I chose people on food and market stalls who were a slightly easier target than a stranger walking down the street. But it certainly helped me to start to gain more confidence. The guy on the bakery stall even gave me a free lemon tart! Having said all that, I still won’t take any pictures of myself and perhaps it’s time to start looking at why. I don’t believe I am unattractive but I do strongly believe that I am not photogenic at all.

I have also enjoyed the covert and semi covert photography that I have had to do and this also helped me to see that most off the time people aren’t  bothered about a person with a camera in a town where the tourists are taking photos all the time. I might feel differently of course in a less safe environment.

Learning Highlights: My personality shows up in my images – who’d have known!

I completed one of the exercises in part 3 of Identity and Place, which involved going through my archives and looking for images that could be categorised as Mirrors or Windows. In a later exercise in part 3 I had to write down some of my personality traits that make me unique and then think about images i could create to represent some of them. It was at this point that I realised that all through my photographic history I had been taking photographs that could be seen to represent parts of my personality. I really was quite shocked! I did know, for example, that  liked taking images of building s and shapes that had strong vertical and horizontal lines. But when I started to really look at the images I have been taking there is a very strong element of a need for order coming across. There were wide skies and seas and wide open flat countryside all of the things that make me feel able to breath and not under pressure. There were also lone figures often placed at the bottom or to the side in the early photos but not so much in the later ones. Could this be a sign of a rise in confidence as I am getting older?

Reducing pressure to get the shots!

One thing I have found is the the pressure on me to take shots for assignments and exercises has increased as I move through the units. This may be down to my own expectations and the fact that I should be getting better at this the more I do it and the images should be getting “better”. I don’t feel pressure as such from the OCA or tutors so it has to be self induced.

Something I have discovered that has really helped to reduce this pressure is the way in which I try to organise my time around taking the images. I try to take images with my phone, which I know are not going to be used for the course except as perhaps pre shot examples. I have a small camera that I keep in my bag so once I have taken some shots with my phone, if I’m not ready for the real shoot, then I might go out with this camera and take some more. Some of these may end up as the final images, but that is not my aim, so again the pressure is off. This of course is quite a time consuming method but really works for me when I am able.

Discovering Bernd and Hilla Becher: Landscape/Typology

Whilst undertaking research for part one of Identity and Place I came across an exhibition by the German conceptual artists and photographers, Bernd and Hilla Becher.

They took a large number if photographs of industrial buildings which they organised into grids.  They had observed that structures such as cooling towers, grain elevators and oil refineries, to name a few, had similarities, including the design detail. Although they always shot from a variety of angles their aim was to be objective. Shooting on overcast days allowed them to ensure that there were no deep shadows or highlights.

I find these images and the way they are presented absolutely stunning. I really like architectural photography, clean lines, balance and clarity, Bernd and Hilla seem to have captured all of that in abundance. They are beautiful to look at, even though the buildings themselves probably don’t fall into what most people would think of as beautiful. I am aware that the way in which an image or series is presented can make a huge difference but here the presentation forms part of the series itself.

Fig. 1 Water Towers 1972-2009 Bernd Becher and Hilla Becher

Fig. 2 Gas Tanks 1965-2009 Bernd Becher and Hilla Becher

Bibliography

Figure 1
Becher, B. and Becher, H., 1972-2009. Water Towers. [image]
Available at: <https://www.tate.org.uk/art/artworks/bernd-becher-and-hilla-becher-water-towers-p81238&gt;
[Accessed 15 November 2021].

Figure 2
Becher, B. and Becher, H., 1965-2009. Gas Tanks. [image]
Available at: <https://www.tate.org.uk/art/artworks/bernd-becher-and-hilla-becher-gas-tanks-p81238&gt;
[Accessed 15 November 2021].

 

End of unit and Assessment Reflective Evaluation

My Tutor gave me some great advice early on in this unit, and that was to keep a log of all those moments of discovery, interesting thoughts, learning highlights etc. It was such useful advice and really helped to find a place for all those things that previously would end up as short paragraphs or sentences in an exercise or assignment blog that would get lost in amongst everything else. They would of course probably get missed by the assessors too. I am using these in part, to help me write this reflective evaluation.

As I was finishing a rework on Assignment one, I found myself writing the following

“I found myself looking at the last image and realised that it really struck a cord with me in reflecting my mums last few weeks. I wonder if this means that I have at least one image that is saying what I wanted it too?”

Considering I had never even thought of saying anything with my images before starting this course, I see this as great step forward in my understanding of images, photography and art. I am already looking at “art” in a completely different way.

It has been a very strange time for everyone and starting this unit in the middle of a pandemic was quite challenging, but I had manged to complete the last one so carried on not realising that fate had a few other surprises in store. In short, we lost two very close family members (not to covid) one in tragic and complex circumstances that rocked the whole family. At one point I thought I may have to take a break in my studies but soon discovered that the photography was giving me some relief from the sadness, grief and anxiety that ensued. It was hard to determine at the time, if, or how much these circumstances would affect what I was producing for the course but there is no doubt that it did. This unit was quite a leap for me in respect of creating images that have “meaning’ but I’m sure that the emotional turmoil helped me to see things differently and perhaps connect in ways I would have been able to. I did try to channel these emotions into something worthwhile across the whole unit.

I was very surprised when Trish Morrisys series Front (2005-2007) sparked emotions relating to my own adoption and subsequent reunion with my birth mother as an adult. It made me realise what an impact this area of art could have on people and made me wonder if my images could ever spark something in someone? Maybe that should be my challenge for the future. I also realised that I was trying to work out how I could express my feelings of being an outsider in a series of images. This really was a bit of a first for me and although I had tried to do it with my mum’s diary in the first assignment, I have never tried to do it with my own feelings.

I am having my understanding and thought processes challenged a great deal on this unit which is fascinating and really brings home the fact we humans should never stop learning. As an example, I always thought that a self-portrait had to include the artist in the image. Of course it doesn’t! The artist can be depicted in so many ways, and indeed can make for great images that can say so much more about the artist, their lives, and emotions. This understanding helped so much in the creation of my adoption and reunion series.

One thing I have realised as I come to the end of this unit, is to keep looking back at the feedback from previous units as I move forward. I get so wrapped up in a current unit that I forget to apply what I have learned in previous units. I seem to find it hard to think about all the different aspects involved in creating a meaningful image at once. If I took the time to look back over previous feedback it would help me to keep these things in mind. This became obvious when I realised that my feedback for several of the assignments in the unit included comments on the colour of the images not matching what I was trying to portray.

This really was the start of me beginning to fully understand that everything in the frame must add to the meaning or at least nothing should be the opposite of or take away from the meaning. That does not just include the objects but the framing, colour, focal length, and location.

One thing that did happen as I progressed through the unit was my frustration at not having time to go back and fix the things that I could clearly see were wrong properly. I discussed this with my tutor who agreed that if these were “real projects” then they might be done of a much longer timescale. In some cases, I chose to focus on getting it right in one or two images so that I could prove to myself that I understood.

My understanding of art has progresses far more in the unit than it ever has. I realised that a beautiful image is beautiful or nice and that may be all it is. It may of course also be very meaningful. An image that is not beautiful or even look like it has been very badly taken, may also be very meaningful. In the past my images all had to be “nice” to look at. All very well but all very meaningless and not images that would necessarily spark something in someone! It is becoming clear that images have been saying things to me even if I wasn’t aware of it. I have to admit that Jeff Wall’s Insomnia is an image that I saw a long time ago and disliked a great deal. I remember thinking how bad the lighting was, how unsettling the figure under the table was etc..etc… It jarred. It did everything it was meant to! – I just didn’t realise it at the time. I have enjoyed researching other artists and realise now how essential it is in my progression. It also struck me how little I know about art and artists in general and will make a much bigger effort now that we are coming out of lockdown to get out and experience the art world.

Around assignment three I found myself losing sight of what I was trying to create, and then realised that if I ask myself what I am trying to say, it then becomes much clearer.

I think one of the most important things I have learned during this unit is that I am learning! I don’t have to get it right first time! It’s OK to give myself the time and space before going back and re-evaluating. My tutor has been very supportive in allowing me to go my own way on several of the assignments and this has really helped me to discover so much about my knowledge my lack of knowledge and the route to finding my own voice.

I don’t know enough about “ART”- Learning Highlights

07/04/2021

After my previous post below, I made a concerted effort to research artists referenced as inspiration for images. I need to understand the depth of the inspiration and get more of an idea of what it might mean across the board for photography in general, and for me. I am hoping that the more I do it the more likely I am to have inspiration myself and have a wider variety of art to inspire me!
While researching some of Jeff Walls images (Fig 3,4) for the second part of Exercise 1, (LINK) I was given the perfect opportunity to look at other artists (Fig 13-15) who inspired some of Walls work

 

 

 

01/04/2021

It is dawning on me that my knowledge of “art” and artists is sadly lacking! I know the “usual suspects” and could even tell you what is the in the background of the Mona Lisa! However it does seem that I need to know more. By that I don’t necessarily mean just photography. Other forms of art come up all the time in the course and I am constantly surprised when people manage to compare a modern photograph with an old master, for example. Do some people have a catalogue of “paintings” in their heads ready to pop out at any moment when they see another piece of art?
This was really brought home during Context and Narrative Part four (LINK). During my research for the assignment a couple of photographs were compared to other pieces of art. The photographs that were being compared were ones that I knew well and I was really amazed at the comparison. (Figs.1 – 4)How could I have not seen it? Well – because I wasn’t thinking about comparing them and don’t have enough knowledge to be able to (unless something looked like the background of the Mona Lisa!) I’m not suggesting that I should always be able to do this off the top of my head, but it did make me aware that I should have a wider more varied knowledge.

The course is opening my eyes to “art” and I surprised myself and my partner (who knows way more about art than me) when answering a question about a painting on a TV quiz show. The only reason I knew the answer was because the particular painting had been the subject of an exercise previously on the course. So, without doubt I am learning a great about “art” all types of “art” on this course but really feel the need to know more, for research, for self knowledge and to help my own ability to create images. I suspect visiting more exhibitions and galleries is one way to go and as soon as we are able to get out about I will start making a list. I love architecture and fashion so will have to try and include these in my visits.

 

Unconcious understanding! – Learning Highlights

17/03/2021

As I worked my way through C&N part three and continue through part four, I have started to realise that even though I have not had the tools or the understanding to deconstruct images, a great deal of the time I have actually taken from them what the author wanted me to. I have been thinking about how I viewed images before taking any courses in photography and up to this point and one thing I asked myself was, how long do I spend looking at an image? In the past it was probably not very long (depending on the image of course). I spent very little time looking at photographs that I “didn’t like the look of”. I am now questioning why I “didn’t like the look” of them and beginning to realise that for many of them it was because they were meant to evoke or elude to uncomfortable feelings. Images that I spent more time looking at were those that evoked feelings of comfort or were intrinsically “nice to look at”. This includes all the codes, subjects etc. that I am beginning to understand. It is also starting to explain why perhaps a subject matter that is not particularly nice, such as war, can be constructed or presented in a way that is not immediately uncomfortable or upsetting. This can be extremely powerful in its ability to bring two opposing feelings in quick succession. I still want to create images that are “nice” to look at and I am beginning to realise that I have to work out what this means and think more about what I want an image to say. If its nice to look at then fine, if its not then that is fine too as long as everything in it contributes to the meaning and is not there just because it’s nice or its not or a just didn’t see it.

I would sometimes discount an image as being “rubbish”. Maybe some of them were, but I now believe that there were many that I just didn’t understand and that made me feel uncomfortable or evoked feelings that I didn’t like, which I translated as meaning the image was bad rather than evoking bad feelings.

I have to admit that Jeff Wall’s Insomnia is an image that I saw a long time ago and hated. I remember thinking how bad the lighting was, how unsettling the figure under the table was etc..etc… It jarred. It did everything it was meant to.

For some of the assignments I have done in the past and in particular Assignment 1 of C&N, I realise that I need to “construct” images. The more I learn about deconstruction the better equipped I will be able to “construct”. I guess the main thing is to work out what it is that the image should be portraying and construct it in order to say it!

I need to find some examples to include in this post!

Communicating something through the use of images – Learning Highlights

I’m currently working on assignment three and have just realised that I am starting to really think about what I am trying to communicate through the images. I keep getting stuck, confused and losing sight of what I’m trying to do. I then find myself asking myself what it is I am trying to say! I know what I want to say but when I look at the images they often didn’t say it! I am then allowing myself time to think about it.

This new way of thinking has come from a variety of things. From feedback all through the course, from one to one feedback zoom sessions and group zoom sessions, the course notes , reading and research.

Assignment Block! – Learning Highlights

I often finish an assignment but feel a bit unsatisfied. During a feedback zoom meeting with my Tutor , he happened to mention the fact that projects often take months/years to complete in the “real world” and sometimes it’s quite hard to create something in the relatively short time given to complete assignments. This helped a lot and took the pressure off to get things right first time. Once again I found myself in a position where I had “finished” assignment three but knew in the back of my head that it wasn’t right. Rather than try to force things, I left it alone, and did a bit of wordpress  housekeeping with menus etc. I also had a quick look though the course notes for Part Four, to try and get my mind away from Part three. I also had a bit of a think about assignment one and two and what I might do when I revisit them before assessment.

This really helped and after a day or so I went back to the assignment blogs and continued where I had left off, with a new sense of purpose.

The main problem was that I was getting so involved that I had forgotten what my aim was and what I wanted the set of images to say! At this point I was still not sure I could communicate it well enough, but at least I had put myself back in track.

This happened quite a few times more and I was pleased to say that I allowed myself time to think about it more, always pushing myself back to the aim or more to the point what I was trying to communicate through the images.

” A beautiful photograph is nice” – Learning Highlights

These are words I heard during a very helpful and interesting zoom session run by Dr Ariadne Xenou. It was a session relating to C&N Part Four, Reading Photographs. As I am not far off finishing Part three I decided to join the session.

These words stuck in my mind and has helped me to start breaking down long held pre conceived, often unconscious thoughts and feeling I have had about art in general. In the past I have always wanted to create “beautiful photographs” or at least images that were nice to look at. Communicating an idea was mostly an unconscious part of the process. I might have wanted to show a mood in a photograph, but I wasn’t thinking about it in these terms. For example, If I take a shot of a warm glowing sunset then I was unconsciously expecting both myself and others to feel this when viewing the photo. I had never really consciously thought about doing it the other way round. For example, thinking about communication a mood then making sure I set the photograph up to express it!

Up until the last few years, images such as Nigel Shafran’s Washing up (2000) and Jeff Wall’s Insomnia (1994) would have gone straight over my head. I would not have perceived them as beautiful and not understood what they were trying to communicate, even if at an unconscious and intended level they were indeed communicating something!

Anja Niedringhaus, a German photojournalist is, in my opinion, one of best. I came across her images in Berlin in a small exhibition and have never ever forgotten the experience. Over the last year or so since starting this course, I am beginning to get a much better understanding of why. I am attracted to her images because they are “beautiful”, but the subject of war is not. They are all communicating something and perhaps I have unconsciously understood this. I now really want to go back and view her images with this new set of eyes!